Tag Archives: X-Men: First Class

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Comparative Opinions: Episode 2 – Ranking the X-Men Franchise

Welcome to the Comparative Opinions podcast! This week hosts Holly and David, and guest host Julia, tackle the X-Men movie franchise from Fox, and come up with a best to worst ranking. Spoilers for all 8 movies!

Comparative Opinions is a weekly half-hour-ish podcast hosted on ComparativeGeeks.com. Subscribe for new episodes every Sunday!

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Music is by Scott Gratton: http://freemusicarchive.org/music/Scott_Gratton/Intros_and_Outros

Happy Friday: X-Men Apocalypse First Official Trailer

As CompGeek Siblings, David and I grew up watching Saturday morning cartoons together, especially X-Men. Personally I’ve been incredibly happy with the First Class movies (more so than I was with the first trilogy; as much as I love some of the actors, the second two movies fell a bit flat for me) and so I was really excited to see the first trailer for Apocalypse. The first two movies were fantastically done, and some of the new faces in this one have me super stoked (Sophie Turner as Jean Grey? Olivia Munn as Psylocke? Eeee!) I can’t wait for this to come out!

Thoughts? Are you as excited for this upcoming X-Men film?

 

Did I Build This Ship to Wreck? Part 1

Source [Image of Oscar the Grouch holding a sign that says

Source [Image of Oscar the Grouch holding a sign that says “I heart trash.”]

Or, “Why is Florence + the Machine’s How Big, How Blue, How Beautiful the soundtrack to my trash ship?” a guest post by fandom correspondent LM, author of The Lobster Dance, a blog about about geekery, Japan, and gender, and I’ll Make It Myself!, a blog with a lot of fandom cakes and gender analysis of food marketing. Find her work on Comparative Geeks here.

Spoilers for X-Men First Class (major), X-Men Days of Future Past (moderate), NBC Hannibal (mild), and Battlestar Galactica (mild). Contains gifs; discussions of music and films featuring abusive relationships, alcohol abuse, and moderate violence; links to music videos with disturbing imagery of the same nature. I’m sure that Florence Welch actually wrote her music about her experiences and not about fandom, but seriously, have you seen the X-Men prequels? Or NBC Hannibal? Do you see?

There appears to be no one definition of a trash ship*, so my definition is a ‘ship that you know is objectively bad, either because the characters bring out the worst in each other or because one of the characters is literally a cannibal serial killer (or somesuch). Cherik (Charles Xavier/Erik Lensherr)? Trash ship. Starbuck/Apollo? Trash Battlestar. Hannigram (Hannibal Lecter/Will Graham)? Trash spiral-galaxy.

And yet, they’re strangely compelling: in the case of both Cherik and Hannigram, you have two gifted but flawed (some more than others) people drawn together because of outsider statuses and who bounce between love and hate, collaboration and war, admiration and loathing. That kind of relationship is what How Big depicts: it’s a literary, intellectual break-up album about being in relationship where the narrator and the narrator’s partner both hurt and abuse each other–and sometimes kind of like it. These are songs of revenge, angst, lost chances, doomed love, blinding hatred, and obsession.

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Kitty Pryde in X-Men: Days of Future Past

Cover from Uncanny X-Men #139... 2 issues before Days of Future Past. One of the more iconic lines from X-Men lore.

Cover from Uncanny X-Men #139… 2 issues before Days of Future Past. One of the more iconic lines from X-Men lore.

I wanted to close out my week of looking at X-Men: Days of Future Past by looking at one of the biggest changes: the role of Kitty Pryde. She’s come up in my look at the mutant character adaptations, and of course in the LitFlix comparing the film to the comic source.

A quick breakdown of how she was used: in the comics, Kitty Pryde travels back in time into the consciousness of her younger self, a new member of the X-Men, to warn of the apocalyptic future. She goes from being brand-new character, to being one that you know has a future and a purpose and immense power.

So there were three elements of this that they had to try to adapt into the film: the time travel, and its method; the traveler, Kitty Pryde; and the impending doom of the future. The movie accomplishes two of these three, but loses Kitty Pryde in the process. Now, I don’t see a way to hit all three and work within the movie continuity, but let’s explore some of the problems and options!

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X-Men: Days of Future Past, Comics and Movie – A LitFlix

One of the greatest covers in all of comics. Days of Future Past. Uncanny X-Men 141.

One of the greatest covers in all of comics. Days of Future Past. Uncanny X-Men 141.

There’s plenty that could be said about X-Men:Days of Future Past. That’s why I’ve been highlighting it on our Tumblr this week, and am writing multiple posts about it. Expect another on Friday, focused on Kitty Pryde.

That means the goal for me tonight is simply to focus on our LitFlix style: comparing the movie to the comics. These comics are some of the X-Men’s finest, and come in at an astounding 2 comics. That’s it. For as enduring an idea and a storyline as it was, for as many characters and situations as it opened up, it accomplished an amazing amount in a short amount of time.

The movie goes both bigger than this, and smaller. It’s a time travel story, set both in a dystopian future and what is now decades past. The movie makes the future big, with no holds barred. The past, meanwhile, is pared down to only a few characters, and spends a lot of time going in-depth into their souls. Quick review? Great comics, read them, no question. Great movie, go see it, and enjoy.

Spoilers to follow for both!

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