Tag Archives: Fantasy

Interesting Things Keep Coming from NetFlix: Bright

One of the more intriguing trailers to come from ComicCon was the trailer for Bright, a new movie from NetFlix, directed by David Ayer and starring Will Smith. It looks like an alternate, modern day world that is mostly like ours, except it also has orcs and elves and magic.

There’s urban fantasy, but that makes me think of something like the Dresden Files or Supernatural, with our modern world and the secret underbelly of fantasy elements. There’s also something like Arcanopunk (Steampunk with magic), but it doesn’t look like they’re setting up a world with a heavily divergent path to the present.

So really, I’m not quite sure what genre to call this film, beyond “buddy cop.” But that’s also a lot of what makes it so interesting and makes us want to see it: what is this world they’re setting up? What is it like to live there? What is going on?

What do you think – are you interested in Bright? Let me know in the comments below!


The Inheritance Cycle is informed by Science Fiction

I finally finished listening to the audio books for the Inheritance Cycle, the 4 books starting with Eragon by Christopher Paolini. You can watch his skill as a writer and his world grow and develop through the books, as well as getting deeper as you see more of the cultures and locations in the world as it goes along.

I’ve been trying to think how to write about these books, and a review of each one is probably in order. However, there’s also talking about them as a whole, and for Science Fiction Saturday, it seemed right to talk about just how much science fiction informs these books.

It’s definitely fiction with an understanding of science, that’s for sure. It has all the trappings of fantasy, yes – elves, dwarves, magic, a medieval setting, and a hero’s journey. However, it’s this fantasy world that has a clear underpinning in the laws of our world, and where the magic is different, it’s a highly defined and explained magic system.

Really, the magic system and the way it works and is used in the story is one of the main reasons to read these books, one of the main unique features. Also probably some of the harder parts to adapt into film! (I never saw the movie adaptation, short of a few painful moments caught on TV). And it’s the magic system that both allows for that view into the world of science, and which takes this world and matches it to the definition of science fiction that I’ve worked with here on the site.

Well, matches somewhat. When magic itself is called out as a difference, it’s hard to get past. However, the magic system in Inheritance is all about ingenuity, cleverness, and out-thinking your opponent. It’s a magical language with the names of things, and where the mages have to commit to the spell they have spoken. So what happens with magic is based mainly on the knowledge and imagination of the magician.

Mainly on knowledge… and the rest is about energy. It takes as much energy with magic to do something as to do it in the mundane way, it just happens faster and perhaps differently. But that means the magician expends all of that energy at once – to, say, dig a ditch or descend a mountain. It’s dangerous.

So a lot of the science in this series is about energy – how much it takes to do a task, how much the magician has available. And the distance from a target (it’s harder to do something far away), or the weight of things, or these other physical aspects of the material world.

However, there’s also a mental aspect to the magic system – magicians are telepathic, they can read minds and speak through minds. And through this open mind experiencing the world around him, Eragon discovers a great deal about the natural world – following the lives of ants, for instance, like in The Once and Future King.

There’s all kinds of great scientific discoveries peppered throughout the series, for instance when Eragon discovers the fact that the world is round, or when he hears theories that we are not solid, but mostly empty with small particles holding us together. Lots of information about animals (as well as the invented biology of dragons, of course). About human anatomy as well, ways to kill them for sure, as well as some of the concerns Eragon starts to have about protecting himself or others. His magically calloused knuckles for punching, for instance.

Paolini also worked in plenty of war, and politics, and other problems that are common in science fiction. And the modern world. And fantasy too, I suppose. It mostly just ends up genre-bending, with so many aspects of the world thought out and explored and explained. It’s modern, I suppose, with so many things we know today being an exciting discovery in the medieval world of Inheritance. It has a science fiction feel, with so much focus on science. It’s fantasy in its outer shell, with the races and places and magic. It has elements of horror, of war.

It’s good stuff. I had remembered liking it, but was not disappointed in the re-read (listen). It was quite good.

Throwback Thursday – Discrimination against Science Fiction and Fantasy

So this was something of a conclusion to my posts on the definition of Science Fiction and of Fantasy, by diving into a personal and specific example of why the whole discussion mattered to me in the first place. I hesitate to share it again for two reasons: one, for the personal aspects, and two, because the original post generated a whole bunch of discussion. As such, going back to the original to see others’ opinions is a good way to get more than my single story here. Also, the personal aspects are no longer accurate.

One of my favorite things I’ve written on the blog is my series on the definition and importance of Science Fiction and Fantasy – of fictions that might be called Speculative, or Romantic. And when asked, I said that one of the things that I would most like to change in the world is people’s opinions about these genres, or maybe about genre fiction in general. However, through all of this, I lacked a solid, concrete example. An example of prejudice against Science Fiction or Fantasy.

There are a lot of things in this world that we shouldn’t discriminate against. Things you can’t control, things that aren’t a choice, things that should have no bearing on life. But then, there are things that are opinions, that are a choice, that I can go right ahead and be upset about. And for me, the one that takes the cake is being against Science Fiction and Fantasy.

So, I had said I was going to do a post about movies this week. That’ll have to wait. Because last night I got a great example of anti-Sci-Fi discrimination. And I feel the need to share, and to vent. So let me set the scene, let me rant a bit, and then hopefully I’ll have it out of my system!

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Realistic vs. Romantic Literature – Throwback Thursday

In many ways, I feel like this was where the whole series I had been writing on the Definition of Science Fiction (and Fantasy) got good. Sorry I missed getting this out last week, but here we go! Also, to note: this one got pretty long…

Hello my readers, time again for me to touch on a series of posts I’ve written over the course of the blog so far. It all started out from a definition of science fiction I read in a book, which led into a blog post exploring that. Then, for comparison, I explored a definition of fantasy based on a quote that’s floated around social media. So between the two, I had pitted Frank Herbert against J.R.R. Tolkien. Then, for another look at it, I compared Star Trek and Star Wars. I still really like my genre exploration there.

And then I listened to George R.R. Martin on the Nerdist Podcast, and it got me thinking that all this work of putting things in genres, and holding one over another or pitting them against one another, was wrong; and I was working on coming up with new terms or new ways of thinking about the differences, of trying to really articulate what I was trying to say.

That’s when I got a comment back on that first post, questioning what I meant about science fiction, making me really think about what I was saying. The commenter – who had the opportunity to interview the author, Paolo Bacigalupi – recommended and discussed The Windup Girl. So I felt I needed to read that first and consider it. And to consider what it is I have been trying to articulate, to think of the terms and groupings and ways that we talk about these sorts of stories, and so that is where I am coming from with this post. Let me know in the comments what you think!

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Science Fiction versus Fantasy – Throwback Thursday

Next up, after pitting Star Trek versus Star Wars, I decided to do some more direct comparison between Science Fiction and Fantasy. It helped to have some comments by George R.R. Martin to start from. At this point, I started working on new terms to maybe replace the old genre titles – more of these to come!

I have given a definition of both Science Fiction and Fantasy before, and I love both, so I care. If you look back at our Liebster Award nomination, I said that one of the more important things to me is Science Fiction being taken seriously. And I think I would happily include Fantasy in that as well. There are a lot of other causes out there, and things to be done – I’ve talked about Geeks and Charity as well – but the discussion about Science Fiction, and its place in thought, in learning, in the classroom… That seems like something I can influence a bit, right?

So recently we listened to George R.R. Martin on the Nerdist Podcast. And first off, if you like George R.R. Martin, it was a lot of fun. It was right after he destroyed the guitar (which we talked about before) at Comic Con. He talks Game of Thrones, and conventions, and writing, and, to the point here and now, he talks Science Fiction and Fantasy.

If part of the reason I like the quotes from Frank Herbert and J.R.R. Tolkien is because they are the fathers of the genres. However, George R.R. Martin is something of a current crown prince, or some other metaphor, in Fantasy. So what does he add to my thought? And where do we draw the lines?


If you look carefully, you’ll see that Winter is Coming. Found on http://www.nerdist.com/2013/07/nerdist-podcast-george-r-r-martin/

So, George R.R. Martin was basically of the thought that there are people who take Science Fiction too seriously, that it’s not too different from Fantasy, that there are people seriously considering life and humanity in Fantasy (very true: read some George R.R. Martin…), and that we should maybe not fight between the two.

And really, is that a bad conclusion?

In many ways, it matches reality. I don’t know a lot of people who like ONLY Science Fiction and not Fantasy, or ONLY Fantasy and not Science Fiction. I can think of a few, but they stand out. For the most part, however, how many of us are there watching Doctor Who and Game of Thrones at the same time? How many of us love Lord of the Rings and Dune? Blade Runner and Princess Bride?

Science Fiction and Fantasy often blend, anyway. As I talked about in my post about the idea of the Ancient Alien Race, large Fantasy series tend towards having Science Fiction in their past. And suddenly, the two genres are one. So what do you call them?

It matches our reality at the store, too. Assuming bookstores are still a thing, and we’re not all reading on a Kindle… But bookstores inevitably combine Science Fiction and Fantasy. In part, it seems easy to tell if a book is one of these two, but would take a ton of work to figure out which to put it in. Plus, more importantly – they understand that there’s more money to be made by combining the two. Same audience.

However, here’s where my opinion does come in: Just because we shouldn’t draw so hard a line between these two Genres does not mean we shouldn’t still take their works of art seriously. Just like there is good and bad literature, there is good and bad Science Fiction. And we can debate and fight all day about which is which – but it’s important to think we could have that debate. Instead of it being a given that one, the other, or both of these genres is pointless.

So, let me go on to think of other ways we can consider Science Fiction and Fantasy.


One of the terms I hear thrown about for the sort of What-If Science Fiction that might describe the best of the genre is Speculative Fiction. A vague term that could also just be called “Fiction,” Speculative Fiction tries to mean something very specific: to mean fiction that asks a question, and generally, a question about our future, where we don’t know the answer to the question we ask.

This is the good thought experiment of Science Fiction: to ask a question about our future, and try to provide an answer. Sometimes, the ideas and answer are the main point. I see this in stories by authors like Isaac Asimov and Philip K. Dick – a strong question is asked, a strong answer is given, and they link the two with a plot. Then there is more cinematic sorts of fiction, heavier on plot, where sometimes the questions asked and answered happen after the fact – like the sorts of science questions that cropped up around Star Trek and Star Wars after the fact.

That’s about how I remember him. Found on https://www.wizards.com/DnD/Article.aspx?x=dnd/4pr/20090401

And both are good. One is more high brow, I guess, and ends up looking very different if made into a movie. The other is more escapist – is perhaps a bit closer to Fantasy.

But, if we spread this thinking to Fantasy, then there are Heroic Journey sorts of stories, great epics in the traditions of mythology, and of archetypes. Then there are stories that are more Escapist, are Fantasy fun. I have read over twenty Drizzt Do’Urden books by R.A. Salvatore, and I love them; but have I learned much from them, have they made me think?

Well, a little, if I use that example. Salvatore does a great job of working in the thoughtful, philosophical quandaries of his main character in-between acts. Part of what makes this such a likable and popular character.

So really, I guess my point is, there is a lot to be said for a lot of stuff being done in Science Fiction and Fantasy. That even if the literary writing isn’t the best, the ideas in the book may be sound, or groundbreaking, even. If the writing is fun, there still might be something there to make you think, to bring you out of the story a moment and consider the implications.

There are other genres that exist adjacent to Science Fiction and Fantasy as well, which also enter into strongly speculative realms: Urban Fantasy, and Steampunk. The former is imagining our modern world, but with Fantastical elements. The latter is imagining our past, with a Science-Fictional future. Both of these can also have a lot of value, despite – or maybe especially because of – being new.


So maybe we need a new language to talk about these fictional genres. Something to remove the baggage, and get some attention?

I did a post, after looking at the definitions of Science Fiction and Fantasy, pitting Star Wars against Star Trek. Check it out here.

My conclusion was that, based on the definitions I was using, Star Trek is Science Fiction, and Star Wars is Fantasy. But if we’re thinking of a new language to talk about these veins of fiction, maybe these can help lead us.

For one type, call it Exploratory Fiction. Maybe exploring an idea, maybe exploring actual space. You see physical exploration in Star Trek, or Firefly; in games in Freelancer, or Skyrim. But this could also cover Speculative Fiction, and exploring an idea.

For another type, call it Escapist Fiction. This matches more like story-based games, where you are immersing in their story, unlike the free-range games like Skyrim. The heroic journey is the best sort of escape – the quest to become more than we were, and usually save some stuff in the process.Worlds, universes, kingdoms, friends.

So there are good examples and bad examples of these types, but that is like with all things. But this would bleed these genres together, and be more about the type of story they are telling, or the way they are telling it – rather than about whether the story has aliens or elves. And if we move away from aliens-and-elves assumptions about these genres, maybe other people could get into them – and, as my point earlier – they could be taken more seriously as artforms.