
Source [Image of Oscar the Grouch holding a sign that says “I heart trash.”]
Or, “Why is Florence + the Machine’s How Big, How Blue, How Beautiful the soundtrack to my trash ship?” a guest post by fandom correspondent LM, author of The Lobster Dance, a blog about about geekery, Japan, and gender, and I’ll Make It Myself!, a blog with a lot of fandom cakes and gender analysis of food marketing. Find her work on Comparative Geeks here.
Spoilers for X-Men First Class (major), X-Men Days of Future Past (moderate), NBC Hannibal (mild), and Battlestar Galactica (mild). Contains gifs; discussions of music and films featuring abusive relationships, alcohol abuse, and moderate violence; links to music videos with disturbing imagery of the same nature. I’m sure that Florence Welch actually wrote her music about her experiences and not about fandom, but seriously, have you seen the X-Men prequels? Or NBC Hannibal? Do you see?
There appears to be no one definition of a trash ship*, so my definition is a ‘ship that you know is objectively bad, either because the characters bring out the worst in each other or because one of the characters is literally a cannibal serial killer (or somesuch). Cherik (Charles Xavier/Erik Lensherr)? Trash ship. Starbuck/Apollo? Trash Battlestar. Hannigram (Hannibal Lecter/Will Graham)? Trash spiral-galaxy.
And yet, they’re strangely compelling: in the case of both Cherik and Hannigram, you have two gifted but flawed (some more than others) people drawn together because of outsider statuses and who bounce between love and hate, collaboration and war, admiration and loathing. That kind of relationship is what How Big depicts: it’s a literary, intellectual break-up album about being in relationship where the narrator and the narrator’s partner both hurt and abuse each other–and sometimes kind of like it. These are songs of revenge, angst, lost chances, doomed love, blinding hatred, and obsession.
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